I wish traditional media had layers. And an undo button. The entire process is much less frustrating this way.
Aside from isolating different areas of the artwork for each stage of the process, layers also double as progress snapshots. The click of a button can peel back each stage all the way to the original rough sketch:
Second layer — the line art:
I drew this one up specifically to play around with Manga Studio’s colour tools. I had to hunt down a few tutorials for this — layers and palettes are in greyscale mode by default, and it took me awhile to figure out why I couldn’t lay any colours down. The dodge and burn tools were also hidden away, but I eventually found them in a submenu on the toolbox. Once I got myself set up, the tools were easy enough to use (though I still have a lot to learn about digitally colouring line art, I think).
The final version, dressed up with with a Sagan quote. I have some slightly more ambitious science-related illustration stuff in the queue. This was a fun warmup.







…interesting. Watching my husband move my artwork around in Photoshop last night really has me interested in digital art now. I always avoided it, but I want to learn. You illustrations in this post and the previous are sharp. I like them!!
Very cool and insightful. Can’t wait to see some Manga-’ized’ birds! They won’t match your great soft tones, but would be another intriguing entry to the body of work, and a fun way to show key field marks in a stylized manner.